Transforming Creativity and MA Global Media Management were pleased to co-host George Morgan from Western Sydney University for the talk – The Creative Calling: Vocation, Career, and Enterprise.
George explored creative work and the ‘new spirit of capitalism’, creative education and labour markets, and class as an obstacle to creative careers. George provide narrative stories from research participants and closed in exploring precarious work and frustrated ambitions. The talk was followed with a lively discussion with staff and students from WSA.
Transforming Creativity Research Group and MA Global Media Management present:
“The Creative Calling: Vocation, Career, and Enterprise”
Dr George Morgan (Western Sydney University)
Wednesday 30th October 4-5.30pm in Lecture Theatre A, Winchester School of Art
Creativity has now become a buzzword for western economic renewal. In our book The Creativity Hoax, (Anthem, 2018) Pariece Nelligan and I argue that the idea of the creative or cultural economy contains an implicit promise that work will become more fulfilling and that the worker can realistically aspire to make a living and a career from their artistic calling. This seminar will explore some of the contemporary myths of new capitalism and the way they provide symbolic bridges between the youthful non-conformist origins of creativity and the highly neo-liberal circumstances of the market for creative skills.
George Morgan is Associate Professor at the Institute for Culture and Society at Western Sydney University. His recent research deals with creative skills and in particular the obstacles encountered by young people from disadvantaged/ minority backgrounds in building creative careers. His book The Creativity Hoax: Precarious Work and the New Economy (Anthem Press), co-authored with Pariece Nelligan was published in 2018.
Creative Calling (full abstract)
Dan presented at the second Creativity, Knowledge, Cities conference hosted at the Watershed in Bristol. The programme is here. Dan’s talk was exploring the UK City of Culture competition. This talk builds on the roundtable at last year’s conference and a number of collaborative activities.
Here is some of the Twitter coverage:
Dan also chaired a panel on Creative Governance:
In early September, Dan attended the 3rd CAMEo conference in Leicester. Dan was part of a panel on “Re-Futuring Creative Work” with Professor Susan Luckman, Professor Stephanie Taylor, and Associate Professor George Morgan. Dan’s talk was linked to the “Unexpected Enterprises” project (details of past workshops are here). A chapter (co-authored with Emma Agusita) linked to this project and talk will be published within an edited collection that is part of Palgrave’s new series, “Creative Working Lives”.
Some of the Twitter posts on this:
Seth Giddings was invited to give a talk at Beyond Humanism: cyborgs – animals – data swarms, the Cologne Summer School in Interdisciplinary Anthropology, a.r.t.e.s. Graduate School of the Humanities, University of Cologne September 23rd-27th 2019.
Entitled ‘AI and other animals: ontologies and ethologies of the cyborgian everyday’, the talk addressed artificial intelligence and artificial life in videogame play; forms of nonhuman agency that have transformed everyday media culture and could be regarded as harbingers of an emergent posthuman world. It took play with synthetic animals – zoomorphic videogame characters and robot toys – as an extended case study, bringing together two broad streams of critical posthumanism: technoculture and inter-species relationality. It argued that studying playful artificial animals offers insights into established and emergent cyborgian relationships between the nonhuman and human: relationships of play and being played with, of training and being trained, nurturing and being nurtured. And that the animality of AI and A-Life entities is real and not metaphorical, opening up ontological questions of AI: what kind of speciation gives rise to particular agents, what habitats and what kinds of behaviour characterise their existence? What anthropological or ethological methods might we employ to study these behaviours? And how is the status of both ‘animality’ and ‘intelligence’ achieved from the cyborg assemblages of code, digital hardware, animated imagery, bodies and minds in play?
We are pleased to announce the imminent publication of Gothic Remixed: Monster Mashups and Frankenfictions in 21st-Century Culture, by ‘Transforming Creativity’ researcher Megen de Bruin-Molé.
The book explores the boundaries and connections between contemporary remix and related modes, including adaptation, parody, the Gothic, Romanticism, and postmodernism. De Bruin-Molé argues that popular remix creations are the ‘monsters’ of our age, lurking at the limits of responsible consumption and acceptable appropriation. Taking a multimedia approach, case studies range from novels like Pride and Prejudice and Zombies and The Extraordinary Adventures of the Athena Club series, to television programmes such as Penny Dreadful, to popular visual artworks like Kevin J. Weir’s Flux Machine GIFs.
Gothic Remixed will be published by Bloomsbury Academic on Halloween 2019. Join us for launch events at Winchester School of Art on Thursday, 31st October (5pm in LTA; booking via Eventbrite), and on 14th November at The Second Shelf bookshop in London.
Last week, Estrella Sendra joined the panel ‘Film Festival as Method – Curation, Challenges, Content’, following the themed curated films ‘Feeling Bodies’, as part of the third edition of the Queer Asia Film Festival. Seven short films from different part of Asia were screened to shed lights on different ways of embodiment of queerness across the continent.
The panel included different organisers and researchers of queer festivals and further festivals curating queer films in their programmes from the UK, China and India. Poorva Rajaram shared her experience in the Bangalore Queer Film Festival. Matthew Karen and Will Dai spoke about the case of CINEMQ in Shanghai. Theresa Heath discussed the Queer Wotever DIY Film Festival. Estrella Sendra shared her views on the queer films curated as part of the Cambridge African Film Festival, which she directed in 2014 and 2015. All members of the panel stressed the role that the festival plays as a space where to perform, embody and reflect on queerness, beyond the engagement with the curated films as art and text. They all shared the challenges of curating queerness and the political choices made in the curatorial process. The event was chaired by Daniel Luther, a SOAS graduate and one of the co-founders of Queer Asia, currently director of the film festival.